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The passionate love of Francesca da Rimini
and Paolo Malatesta was a theme which Rodin had from the beginning
decided was to be a part of The Gates of Hell. He had thought
to present this romantic story in different aspects and The Kiss
was probably conceived as a portrayal of their earthly passion.
When he realized that this was unsuitable for the gates, Rodin
removed the figures to make them an individual statue. The
form of the lovers emerges from the highlights and shadows of
the statue. Light and shade were used by Rodin to create an impression
of actuality. He did with modeling that which his contemporaries,
the French impressionist painters, were doing with pigment. |